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CREATIVE TEAM PROFILES - LIGHTING, SET, VIDEOGRAPHY

SAY HELLO TO OUR INCREDIBLE TECHNICIANS!




ENHANCING THE WORLD OF 'NATURAL ORDER' THROUGH LIGHT, WE HAVE THE SPECTACULAR LIAM O'KEEFE.


Liam is a freelance lighting designer and technician based in Sydney.

Recent design work includes: Natural Order (Milk Crate Theatre); A Murder Story (Ninefold); Wyrd: The Season of the Witch (Ninefold); Tonsils + Tweezers (Jackrabbit); Brothers Karamazov (Arrive Devise Repeat); The Winter's Tale (Secret House); Dry Land (Outhouse Theatre Co./Mad March Hare); Best Before (The Bird Cartel); American Beauty Shop (Some Company); This Is Not Mills And Boon (Glorious Thing); Consensual (New Theatre); Under Milk Wood (Genesian Theatre), Tri-Beckett (Ninefold); Rats - Dirt/Moonshine (Fledgling Theatre Co.); After The End (The King's Collective); Transcience (leftofcentre Theatre Co.); Atlantis (Subtlenuance); METADATA (De Quincey Co.); DRIFT (Two Peas); GODFACE (Matriark Theatre Inc.); Smudge (The King's Fools); The Tragedy of Antigone (Ninefold); Contrite Spirit (Edgeware Forum); Shut up and Drive (Subtlenuance) and Year of the Family (Tooth and Sinew).


As a technician, he has been a part of the lighting team for five national tours as well as The Handa Opera on Sydney Harbour's Carmen, Madama Butterfly, Aida, Turandot, La Boheme and West Side Story. Liam is also active in the realm of commercial musical theatre with Priscilla Queen of the Desert and The Book of Mormon.


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BRINGING MARGOT'S VISION TO LIFE THROUGH SET, PROP AND COSTUME DESIGN, WE HAVE THE MAGNIFICENT EMMA WHITE.



Emma White is a set and costume designer that has recently completed her MFA (Design for Performance) at NIDA. Emma also has a BFA (Sculpture/Installation) from UNSW Art and Design.


Recently, Emma worked in London assisting designer Rajha Shakiry on ‘Nine Night’ for The National Theatre and ‘Richard II’ at Shakespeare’s Globe as a recipient of a Frederick J Gibson Bequest.

As a set and costume designer, her theatre credits include ‘Stay Happy Keep Smiling’ and ‘Venus In Fur’ for NIDA, 'The Knife' at Bondi Feast, ‘The Other Side of 25’ at the Old 505 Theatre, ‘Daisy Moon Was Born This Way’ for Q Theatre Company and ‘The Library of Babel’ at Sydney Fringe. As Associate Designer, Emma's credits include 'American Psycho' for Hayes Theatre, 'Midsummer Nights Dream' and 'The Tempest' for Sport For Jove.

Emma has worked in costume and art departments in film and television productions for the ABC, Giant Dwarf Productions, Emerald Films, Droving Productions and Dollhouse Pictures. As a Designer, Art Director and Art/Wardrobe Department Assistant, Emma has worked for commercial clients such as Sony Music, McDonalds, Screenwise and Sydney Opera House. Emma is currently designing 'Chorus' at the Old Fitz, 'Natural Order' for Milk Crate Theatre Company and 'Homesick' at the Old 505 Theatre.


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CONTRIBUTING TO OUR MULTI-DISCIPLINARY WORK THROUGH VARIOUS FILMS WITHIN 'NATURAL ORDER', WE HAVE OUR VIDEOGRAPHER DAVID MOLLOY.



David is a writer and multidisciplinary artist for stage and screen. He is half of theatre collective Gom Jabbar and runs videography company Irony Mark Films. Outside of the theatre, he writes screenplays and proudly rears dachshunds.


As a video artist, David has contributed to such works as 'Natural Order' (Milk Crate Theatre); 'Monument' (Gom Jabbar); 'The Forest Unyielding' (Self Help Arts); 'Machine' (Eclective Productions); Carly & Troy Do A Doll's House (His Three Daughters).


As a performer, David has been involved in 'Treats: Unit' (Belvoir/Shopfront); 'Godface' (Matriark Theatre); 'Trojans' (Team Mess); 'The Pitchfork Disney' (Eclective).


David is also a playwright with 'A Farewell To Arms' (IPAC); 'Monument' (Gom Jabbar) and Suiters (IPAC) among his credits.





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Milk Crate Theatre acknowledges the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and work. Milk Crate Theatre acknowledges the Gadigal People of the Eora Nations of this place we now call Sydney. 

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